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 Tonia Nneji, Portrait of a Cyster, 2020. Acrylic and oil on canvas. 48 x 60 inches. For the 44 year-old Ghanaian-German multimedia artist Zohra Opoku, the end of life is the focus of her latest work. Because of the pandemic, her planned exhibitions in Senegal, the United Kingdom, and Greece were postponed until 2021, but in a sprawling new piece she considers a subject that feels painfully relevant during an ongoing global health crisis. Through the mediums of dyed and screen-printed textiles and garments, photography, and film, The Myths of Eternal Life is a collection that examines, in four chapters, Opoku’s own experience coming to terms with a diseased body, and acknowledging her inevitable mortality.

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